R is for Ricochet (Grafton)

R is for Ricochet, by Sue Grafton (2004)

(Not a review, just some notes to help me remember the things I've read. But written this way because it's the Internet, and some people will stumble across this page.)

I took a break from old anthologies and freebie downloads to revisit something more familiar. I haven't read an Alphabet book in over a year, so I was due. That said, this was a free download from the library, but it was a loan of a book that would've cost money to download from somewhere else.

It's still the 80s, around 1987, because "I Want Your Sex" is a new song on the radio. (There were other references earlier on, but that was one of the last ones, and it stuck with me.) She didn't use her portable typewriter at all, but there was ample use of payphones. Not a cellphone in sight. There were some big clunky computers and floppy disks but the action is taking place nearly 20 years before publication, which was about 14 years ago.

I don't know what the "Ricochet" of the title is supposed to refer to, except that Kinsey is just bouncing around a lot in this one.

Not that this is a review, but this wasn't one of the better ones. I still enjoyed it, but it was a bit light with several subplots working. Plus there was a note in the acknowlegdements that there was another subplot that was dropped.

For one thing, there's no case. Kinsey is hired by a rich guy, Nord Lafferty, to escort his spoiled, wayward daughter Reba home from the womens prison she's spent the last couple of years at for stealing from her employer. She's also supposed to watch over her for a few days while she gets settled in. (For one thing, Reba's driver's license has expired while in jail.)

Within three chapters, we have our subplots. Vera, from California Fidelity, and whose wedding Kinsey attended after being swept up in events from another adventure, which wasn't exactly a case, calls Kinsey and invites her to a gathering she's having. It doesn't take much to figure out that Vera is trying to set her up. She goes, there's so little chemistry that we don't even get much of a description of the guy or even a line of dialogue, and she heads out. Two things happen: one, we don't really hear from Vera for the rest of the book; two, Kinsey runs into Lt. Cheney Philips. The two have previously et, and kinsey might've been romantically interested but Cheney had run off and married some woman he hardly knew. Kinsey has sworn off married men after things didn't work out with Jonah. (And they didn't work out for Jonah, either, apparently.) Also, Dietz is in the wind, and she's okay with that. They had an unusual relationship.

Cheney ends up looking for Kinsey (and this might be my memory already fading, but he might've been the reason Vera really invited Kinsey, because Cheney lives next door). He has two things on his mind: first, the feds are looking into Beck, the guy who Reba stole from and they want to get her involved; second, he split from his wife and he wants to get involved with Kinsey. Kinsey's all for the latter, not fond of the former.

She finds herself playing friend and mother hen to Reba, watching her and trying to gauge whether she'd turn on Beck who she's obviously in love with, even though he's married. Unfortunately, some new guy at the FBI trying to make a name for himself tips Reba off to the investigation be showing her pictures of Beck leaving a motel with her best friend Onni, who is *not* Beck's wife.

Reba starts spiraling and doing what's she's going to do. Kinsey follows along to try to keep her from violating parole or destroying the feds case. At this point, she's pretty much along for the ride. About the only detective work to happen after this was tracking down a stripper in Reno who did time with Reba.

Oddly, Grafton, through Milhone, makes a comment herself that sometimes you're just a bit player along for the ride. I almost feel like Henry's family had more to do than Kinsey did. Unlike the Cheney romance, Henry's love triangle could've been removed from the book entirely. Or replaced with another story. Henry is set in his ways, and his family is going to be his family.

Speaking of family, the other branch of Kinsey's family (on the mother's side, so I can't call them Milhones) doesn't make an appearance or even rate a mention. She didn't think about them at all, despite all the family issues going on in this book.

This was a quick read for me. Practically a speed read. My last entry was only 20 days ago. I don't think I decided that quickly to download this book. In fact, I think I downloaded a freebie that I read three chapters of and told the guy that it wasn't for me. I didn't leave any reviews because no reason to be mean. He'd asked, I told him. He was grateful that I tried it out, and quite pleasant. Another thing, I haven't gotten a notice that the loan was going to expire soon, so it was probably two weeks to read, with all this other stuff I have going on.

A Dead Djinn in Cairo, and The Haunting of Tram Car 015 (Clark)

A Dead Dinn in Cairo, by P. Djeli Clark (2016)
The Haunting of Tram Car 015, by P. Djeli Clark (2019)

(Not a review, just some notes to help me remember the things I've read. But written this way because it's the Internet, and some people will stumble across this page.)

First off, these are both novellas. The two of them together merit a separate entry as a single unit. The second book was released as part of Tor.Com's book of the month club almost impossibly coincidentally right after I read the original novella. Out of nowhere, I decided to look at my iBooks app instead of the Kindle app, then I opened Some of the Best of Tor.Com 2016, which I presumably downloaded close to four years ago. (It was likely released in early 2017.) And I started reading that novella even though I had skipped over an earlier novella in the collection because of the length. (I'll get back to it.) By the time I realized my mistake, I was committed to the story.

That book will get an entry when (and if) I finish it.

"Djinn" tells the story of Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities, who has to solve the mystery surrounded a large dead djinn. (I just looked up the department name to make sure I got it right.) She dresses "exotically" in English clothes, rather than standard Egyptian wear. Her partner for the case is Inspector Aasim Sharif, police liason with the Ministry.

The story is set in an alternate Cairo, 1912, some decades after the walls connecting realities was punctured and djinn and other supernatural creatures were able to come through. The other creatures include things that call themselves Angels but aren't really Angels. And there's something called The Rising that seem about to happen, but would be a good idea to prevent.

"Tram Car" is set in the same universe, but is not a sequel.It takes place a few months after the previous story, with a backdrop on a women's suffrage movement. Fatma gets mentioned early on, but doesn't get involved with this case. The Ministry of Alchemy, Enchantments and Supernatural Entities has to deal with a haunted tram car. Alternate Cairo has a very complex system of semi-intelligent tram cars running about the city, thanks to the presence of supernatural djinn. However, one of the cars appears to be haunting and attacked a mechanic and a female passenger. Agent Hamed Nasr and his new partner Agent Onsi Youssef are assigned to check it out. They soon learn that it's something that hasn't been catalogued before. Hamed is the department veteran, while Onsi is the new guy, who has his own unusual background and talents. Hamed tolerates most of that.

Their plan to exorcise the creature involves hiring a djinn, who don't work cheaply. The minister of transportation declines to pay for it and then informs them of the change in the law that requires MAESE needs to bear the cost. This sends Hamed and Onsi looking for alternatives as that would take a huge chunk out of their budget and leave them behind a desk for months. (The djinn haven't introduced air conditioning.)

Twists and turns lead to the discovery of what this creature is, where it came from, and how it got there -- and who is responsible for it getting there. Then there's the matter of getting rid of it, which leads to some interesting undercover work.

Both were interesting reads which immerse you into the setting. Of the two, I prefer the second, so they get better as you go.