Another warm day, another trip of errands briefly interrupted by a stop in the air-conditioned library. Actually, I had time to spare, and I thought I could find something that I could possibly read in a half-hour. (No, that wasn't likely to happen in any case.)
As I walked past the 800s shelf -- Literature -- I looked for something thin that wasn't labeled Young Adult. Yeah, I failed at that as well.
But I did pick out a slim volume by Gary Soto, whom I hadn't heard of before now. Some business to take care of before I continue.
As a child I was fascinated by poetry. By the rhymes and by (although I wouldn't know it at the time) the meter. There would be poems at the start of each section of a reader (or text book?) we had way back when.
I have since fallen out of love with it, particularly in its modern incarnations. Specifically, I hate free verse. I hate random words on paper. I liked the rules, and working in the rules makes a successful poem that much more successful in my mind. When there are no rules, what is success? I read it ... and nothing. In wanting to know these rules, I took a Creative Writing class at Brooklyn College where the teacher (I don't recall if she was a Professor or not) explained the rules and then gave examples that broke all of them, without explaining how and why to break them for effect. (Shout-out to Xaverian High School English teacher John Mucciolo for explaining a bit about breaking the rules with purpose -- I believe he went on to be a principal in Ramapo, NJ.)
What I liked about Soto's collection (some of which dates back to before the 2005 publishing date): he went back to childhood memories, and some adult memories about his children. He told stories without a lot of excessive pretentious verbiage (see what I did there)?
I didn't like the free verse where lines broke sometimes in the middle of a two-word phrase, but I could read it like a story -- not so much prose, but like a guy talking to me. Such conversations can be choppy and disjointed to.
I appreciated the imagery he created without going for crazy allusions and allegory.
And since I'm from the Northeast -- Brooklyn, all my life -- and he's from the Southwest, a Central Valley Mexican, I found the change of viewpoint, scenery and all that to be a refreshing change of pace.
Also, his name to last poem is one that was commissioned by NASA before the Millennium. I didn't know this going in, so it was a happy discovery. Gotta love it.
So if you're a non-poetry person looking for a book of poetry to read, I can recommend this one.